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October 1999 It has been clear to every conservation
professional that has inspected these murals over the years that certain colors
used for the painting of the murals are sensitive to light and will fade, some
quickly, when exposed to sunlight. Since many sections of murals are exposed to
direct sunlight, the situation is very alarming. Protecting the murals from
direct sunlight and reducing the overall light levels as much as possible should
be considered the highest priority as part of the mural’s preservation plan.
Indeed, it would be irresponsible to uncover the murals only to let the sun fade
them away. 1997 Samples of the overpainted murals were
taken by Perry Huston and Associates and sent to Richard Wolbers at the
conservation division of the Winterthur Museum in Winterthur, Delaware for
analysis. What follows is Wolbur's report. A mural not included in the above
report was sampled by FACL, Inc. Additional information from Wolbur's not
included on this website may be obtained by contacting Scott
M. Haskins at FACL, Inc. |
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